It’s a different approach, but not that removed from OSB’s previous work, which merged Hall’s many influences, from pop to country, into one package. Compartmentalizing the music into two separate EPs makes sense, he says, while at the same time offering the many musical sides of Oak Street Blues. How do you transition back and forth between two very different projects and stay in the groove with each? Are they connected in some way? Waiting For Something was kind of rock, but it has a lot of synth and things like that on top of it, so I see this as doing the same thing, but instead of incorporating it all into one album, I’m splitting it up. I guess there is a common thread because all our...
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